I drew this for Internazionale magazine in early spring, 2013
3/24/2014
3/11/2014
Visualization and Cognition
Visualization and Cognition: Drawing Things Together
by Bruno Latour
(1986) (link to pdf)
This essay brings together many of the subjects I've become interested in over the past decade and a half. It seems like it should be required reading for people interested in visual thinking. I'm going to give it another read and try to catch up on commentary since 1986 before I write more about it. In the meantime I'm going to let this post be a general catch-all for the topic of visualizations and cognition, and I'll come back to it with new links and notes, etc. (This is part of my plan for moving forward with this blog in a new way...but enough of that for now).
I learned about this essay from Bret Victor's end of the year reading links from 2013 which I am slowly working my way through.
3/10/2014
Conservation
Here's a Frank King strip from almost exactly 100 years ago, just for the conservation of it.
2/28/2014
Flickr
I've been trying to use Flickr a little more often, now that there's no limit on the uploads. Here's a linke to my accounte.
2/25/2014
2/20/2014
2/19/2014
2/15/2014
Notes on Couch Tag
Couch Tag
by Jesse Reklaw
-In this book there's a lot of pain and chaos in Jesse's memory and in his family. He uses an ironic scheme to organize the story of instability--playful, peaceful objects like games and animals and toys. On another level, in the book there's the thing where you try to figure out who you are in relation to the Others you bounce off—family, friends—and who shape you, and it feels like he's trying to triangulate himself in relation to these other people. It can be a difficult process in the best of times, but especially when your family has troubles. As you grow older you try to figure out yourself in relation to abstract ordering schemes you read about, like in comics, philosophy, or what it means to be an "artist." In the "Fred Robinson story" the friendship and creative collaborative relationship between him and another guy grows organically around some arbitrary organizing devices, and it seems like those were good times. Late in the book he twice tells anecdotes in which there are organizing schemes which lead to him taking the position of “nothing” (in psychological testing + Greek numerology) or adopting the nickname "Nothing." This instinct to sublimate life into metaphors and symbols is responsible for the book itself, and is a recognition of new possibilities for coping. In the final story he uses the alphabet, and his calm, quiet—almost too quiet—cartooning style gets noisier and frantically layered. There's this feeling like the manic energy is straining to break through the ordered arrangement of the comics grid and the storytelling devices. I'm not sure how to read that change in style, in terms of what it is an expression of. [later addition: looks like it's arthritis.] It threatens to bring the whole house down around it, or become something other than an orderly comics page. It’s a fun style to look at, in the sense that there’s a lot of new psychedelic levels through which to look at the panels, but I don’t think you want to go too far down that path, or else the comic as a readable balance of mark-making and symbol will start to break down. There’s a lot of energy hidden, pent up, in Reklaw’s older normal “square” cartooning style, and it’s starting to bust out and become unpredictable, more like he is in person.
xposted from my bookblog
2/03/2014
new dog
"Fritz"
I'm still working on Ganges #5, but it's going a little slower now (see above). I'm starting to pencil page 19 today.
***update, Feb 15.
(The day after this photo was taken, he chewed up those sunglasses into tiny pieces.)
1/23/2014
1/17/2014
G5 in production
1/14/2014
Corrupted
1/12/2014
-
A lot of people are able to use social media more casually than I can and feel less conflicted about it. You go to an art-marketing class, and they tell you that you have to constantly remind people of your existence. Even if you’re not directly telling them to buy your thing, you should be promoting yourself ambiently. This is a picture of my studio, or This is something I’m reading, or This is somebody I bumped into at a party. It’s interesting when you see literary celebrities doing that, like Salman Rushdie or Margaret Atwood or Joyce Carol Oates. They’re constantly on Twitter, and it makes me wonder if they’re actually really lonely or bored.-Matthew Thurber interview
11/30/2013
Let's Look at Dating
New Leon Beyond strip for the Riverfront Times. The theme of the assignment was "Dating Dos and Don'ts."
Interview
Huizenga & Zettwoch Make Up “Facts” About “Leon Beyond”
“Disney was interested in bringing out “Midnight Madness” on Blu-ray, and we talked them into letting us use Leon as a character to kind of bring him back into circulation. We had already decided the strip would be called “Amazing Facts and Beyond,” so Leon Beyond was a natural fit, and their lawyers’ signed off on that. The idea was for us to act like Leon was a real guy, and so we always created this facade of that there was a real Leon Beyond and that he was writing these strips. There was some talk of Leon spinning off into new CGI movie, or a Disney Channel show, but that all fell apart once Tom Wright, the author of the novelization of “Midnight Madness,” and his lawyers got involved.”
11/18/2013
Original Pages Auction for Philippines Typhoon Relief
Two original pages of mine (1, 2) are being auctioned off for Philippines Typhoon Relief, along with many other comics items. Please consider bidding, buying, and donating.
9/28/2013
8/26/2013
Jean-Diable et Jean-Dieu
"Jam comic" with Sandrine Martin @ PFC4.
At PFC4 there were 10 N.American cartoonists and 10 French and Belgian ones. First we all picked characters from a list (I picked the Devil of course). Then the French and Belgians picked American names from a hat to see who they would collaborate with. Sandrine picked my name, and it turned out that the character she had picked was God! Truly providence was at work. So then we were supposed to collaborate on something under the theme of “breaking something.” We came up with a story and I sketched the layout, and then Sandrine did pretty much everything else. It was silkscreened by Aesthetic Apparatus in Minneapolis. SM drew a beautiful book called Le Montagne de Sucre for L’Apocalypse.
8/25/2013
8/06/2013
8/03/2013
Leon Beyond Book Signing
Dan Zettwoch and I will be at Star Clipper in St. Louis, this Friday, Aug. 9 to sign Leon Beyond books
6/20/2013
6/11/2013
4/20/2013
Frank King political cartoons
Here are some old Frank King political cartoons. A couple of them are 100 years old.
12/31/1918
6/19/1913
1/5/1916
12/23/1913
4/17/2013
Trees of Life (2/2)
Another thing I liked about Trees of Life: A Visual History of Evolution is the chance to think about how representing evolution itself evolved.* What form does the evolution of forms take? etc. It's disappointing that the author didn't try to draw a tree diagram of the evolution of tree diagrams. That seems like a no-brainer. Also there is no attempt to find or discuss a tree diagram of the evolution of trees, which also would be the ultimate for xeroxing and taping to your office door if you're a biology professor.
It’s weird that animals are shown in “tree” diagrams. Seems insulting to animals. But, an animal diagram of trees? I don’t know.
I think books which survey a variety of forms should include at least one chapter to play around and suggest new possibilities and new forms, and forms of forms. Even if some ideas are kind of dumb, as above. But obviously I’m not just talking about making jokes. Editors may frown, careful not to go “beyond the scope of the book." It’s true that Trees of Life is already 350 pages, and I’m sure many interesting tree diagrams couldn't fit. But if you're going to draw attention to forms, systems, or formal systems, etc., with this kind of history or survey, it would also be valuable to take some space to experiment at this elevated, meta-level and scope out the boundaries of the territory and draw some sketches of what you see from up there.
The form that this book (which its author, Theodore W. Pietsch, calls “a celebration”) takes is that of a standard book with chapters, notes, a bibliography and an index. The chapters consist of brief commentary on a species of tree diagram, and then examples follow, crisply reproduced. I thought the text was interesting and to-the-point, but I also wish the book was more ambitious. Not to seem ungrateful, but it left me wanting more (see above). Again, space was probably the issue. Maybe a positive way to put it would be that it opens up a lot of possibilities.
The book begins by discussing the varieties of bracket diagrams used to show taxonomic relationships before the discovery of evolution, and then the development of varieties of tree diagram types, and on from there into boring-looking—but more densely meaningful—computer-aided trees which depend on DNA data and statistics. By the end of the book you’re very sensitive** to how the forms that diagrams take can represent and misrepresent the messy and complex reality of natural history, and you can’t help but be dissatisfied both with the limitations of ink-on-paper tree diagrams and of books.*** Obvously a 3D computer-generated tree that you could rotate and zoom in and out of would be pretty great, and it seems totally doable, too—something huge and editable with many nested hierarchies and expandable branches, like you find in mind-mapping programs.****
Other than the Quinarians, my other favorite type of tree diagram from the book is where the diagram-maker opens up the 3rd dimension. Examples are below. Dissatisfaction with the limitations of form is on display big time. I think this may be what separates us from the animals?—the working memory capacity to stick with a form and evolve it, moment to moment, sensitive to how changes of form affect functionality, or sensitive to the possibility of bracketing it or framing it or abstracting “up” or “out” to other levels, or into new dimensions, and enjoying all of this, as we enjoy a good story or a joke.
(I added arrows and highlights to show what's happening in this one.)
____
* This evolution-of-evolution thing is just one of those things you have to deal with if you’re going to read about evolution. No writer could possibly still think it’s a witty move? But you can’t escape it. Just be tasteful and don’t overdo it. I avoided a chance to say something about “pruning” tree diagrams later in this review—that’s just gross. (Also, the author’s name is Pietsch?! Leave it alone.) There are probably unavoidable meta-groaners in every area of study, and there’s probably a survey article in Cabinet or something.
**Not for the first time, hopefully.
***Very good, though, is the unfolding of animal and plant forms on Earth, which makes up the real subject of all of this.
****Dissatisfaction with the forms of printed-book-divided-into-chapters and mind-mapping apps is beyond the scope of this blog post.
4/12/2013
4/10/2013
4/09/2013
Mindfulness Meditation
The way it went for me was, I read Mindfulness in Plain English and it's pretty good, but it's not like the best thing ever, so don't expect that. It is a very good introduction. It resonated with me as an introvert and a person full of fear and anxiety, but it's for everyone.
The activity of mindfulness is very simple (deceptively): "be aware of what is happening, and don't get lost in thought"——so the book (and much of mindfulness teaching) can seem repetitive. It's often like, "what if you feel pain? Be mindful of the pain. What if you feel bored and annoyed? Examine what it is like to feel bored and annoyed. What if I think this is stupid? Be mindful of what it's like to think mindfulness is stupid." etc.
I think the book is available as a pdf, or you know, where you get books.
After the first time I read the book, I meditated off and on for a year, but not consistently. Then one day I decided to re-read the book and also started listening to podcasts by this guy named Gil Fronsdal (recommended by Dan Benjamin), and after listening to Introduction to Mindfulness Meditation, Part 1, I pretty much stuck with it every day since.
Here are four of my favorite podcasts from when I was starting out. Start with Introduction 1 (direct link to MP3), and then I liked Introduction 5, then Concentration Part 2, and then Meditation as a Mirror. You can find many more here.
There are other good teachers you might like more than Gil Fronsdal, though he has a genial, Mr. Rogers-like way about him I like a lot. These are all on Itunes also——search for "audio dharma."
The important thing is to actually meditate, so try to do it along with them in the "Introduction to" podcasts. On my own I started out doing it daily 10 minutes, then 20 minutes, and now I do 25 minutes, using a timer. Some days it goes well and I get concentrated and some days I sit and just think about stuff and try to relax. It's one of those things that can sometimes seem like a chore, but you never regret doing it. It gets better the more you do it, like exercising any skill.
There are different meditation techniques besides mindfulness, so you if you want to try something else, or keep it fresh, there is, for instance, "concentration," which I guess is more like focusing and moving into altered states of mind*, and there's "lovingkindness" (where you sit and think generous thoughts about everything, I think?) and there's of course Zen, which is Zen. I don't know that much about any of this, so I might not have this right.
There are guided meditations which are really helpful, where they walk you through it. When I was starting out I sat through some guided meditations which were amazing, and I thought to myself, "I'm going to keep meditating for the rest of my life, because this is pretty great." I highly recommend doing guided mediations because you learn tricks for later, when it's just you on your own.
There are some here.
The video mentioned in the third panel above is here.
For further views (by Westerners) of Buddhist approaches and teachings, and how it is a secular and practical way of life, I found the one on Blasphemy pretty interesting, made around the time of all the Benghazi madness, and also this one on The Importance of Questions by Thanissaro Bhikku (also see here for a good series of talks) is a kind of basic introduction to what was the deal with the Buddha.
*UPDATED 9/1/14: What I say about concentration isn't right, so please just ignore this sentence. I've been meaning to fix this. Now I see it differently, but it's hard to explain. It doesn't really matter. Stick with meditating.
*UPDATED 9/1/14: What I say about concentration isn't right, so please just ignore this sentence. I've been meaning to fix this. Now I see it differently, but it's hard to explain. It doesn't really matter. Stick with meditating.
4/03/2013
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